The Golden Age of Illustration - Art cyclopedia: The …
Natural History Illustration brings together three main subjects - art, science and the environment, with careers in areas such as medical illustration, archaeology, botanics and environmental conservation.
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Aelfric, a pupil of St Aethelwold and later his biographer, translated and illustrated the first five books of the Old Testament (the Pentateuch), and the versions made at the beginning of the eleventh century are exceptionally rich and varied in their illustrations.
Since the 1960s, the invention of offset lithography, along with more sophisticated photographic and printing techniques, has stimulated the emergence of a widely based market for "art posters", notably the replication of works by famous European painters, as well as modernists like (b.1951).
Douglas Henderson Earth History Illustrations
In addition, in 1788, he illustrated the book by feminist Mary Wollstonecraft and, in 1826, Dante's , completing only a handful of watercolours and etchings before his death.
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A contemporary of Blake's, the famous wood-engraver Thomas Bewick (1753-1828), also made a notable contribution to the history of 18th century illustration with his celebrated books (1790) and (Vol I 1797, Vol II 1804), both of which he wrote and illustrated.
History of Scientific Illustration
The study of African history as an independent and autonomous focus of scholarship is a recent development. Until the late colonial period, it was widely believed among Western historians that Africa, south of the Sahara, had no “civilization” and thus no history. Others insisted that even if there were events of a historical nature, such a history was unknown and unknowable, since African societies, for the most part, were nonliterate and as such left no records that historians could study. The era of decolonization and the immediate post-independence years witnessed a growing rank of Africanists vigorously reject this Eurocentric and anti-African historical epistemology that privileged civilization and written sources as the only rational bases for historical scholarship and that denied the possibility of civilization and history to small-scale and nonliterate societies dominant in Africa. Using an array of sources, these scholars were successful in showing that Africa not only had a history but that its history and the writing of it date back to ancient Antiquity. Ancient and classical writers wrote about Africa, even though their writings were unsystematic. They were followed by Islamic and Arabic writers, who left first- or secondhand accounts of African states and societies that have continued to prove valuable for scholars of African history. The next phase of African historiography was dominated by European traders, travelers, as well as missionaries and other adventurers, whose accounts of Africa, while generally tendentious and Eurocentric, remain major sources for the reconstruction of the African past. European conquest and domination spawned a new era of colonial historiography that justified European imperialism and espoused the ideology of a savage Africa in need of European civilization and tutelage. With decolonization and independence came the era of nationalist and liberalist historiography which rejected the notion of a barbaric and static Africa “without history.” It sought to restore autonomy and initiative to the Africans, as well as authenticity and respectability to the historicity of the African past. Rejecting the privileging of written sources, it argued for and adopted the disciplined, rigorous, and corroborative use of a variety of sources and multidisciplinary methods from archaeology, ethnography, anthropology, linguistics, and art history to oral traditions.
Illustration: History, Types, Characteristics
Lithography remained one of the most popular methods for illustrating books up until the end of the 19th century, when it was displaced by colour photogravure, a technique of printing photo-engravings after the manner of the old mezzotints and stipple.